W.I.P

Amours en carton is an ongoing and misguided documentation of an absurd love story between I and a cardboard box.

I build the images through self-portraiture, still life, and domestic mise-en-scène, working within the limited space of my living room. Gestures of intimacy, conflict, and projection are staged, repeated, and adjusted over time.

The cardboard figure shifts between partner and prop—something to hold onto, act against, and assign meaning to. The work accumulates as fragments of a narrative that never fully settles, drifting between sincerity, absurdity, and quiet failure.